My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays

Bläsing B, Sauzet O (2018)
Frontiers in Psychology 9: 1909.

Zeitschriftenaufsatz | Veröffentlicht | Englisch
 
Download
OA 186.88 KB
Abstract / Bemerkung
Previous research has shown that motor experience of an action can facilitate the visual recognition of that action, even in the absence of visual experience. We conducted an experiment in which participants were presented point-light displays of dance-like actions that had been recorded with the same group of participants during a previous session. The stimuli had been produced with the participant in such a way that each participant experienced a subset of phrases only as observer, learnt two phrases from observation, and created one phrase while blindfolded. The clips presented in the recognition task showed movements that were either unfamiliar, only visually familiar, familiar from observational learning and execution, or self-created while blind-folded (and hence not visually familiar). Participants assigned all types of movements correctly to the respective categories, showing that all three ways of experiencing the movement (observed, learnt through observation and practice, and created blindfolded) resulted in an encoding that was adequate for recognition. Observed movements showed the lowest level of recognition accuracy, whereas the accuracy of assigning blindfolded self-created movements was on the same level as for unfamiliar and learnt movements. Self-recognition was modulated by action recognition, as participants were more likely to identify themselves as the actor in clips they had assigned to the category “created” than in clips they had assigned to the category “learnt,” supporting the idea of an influence of agency on self-recognition.
Erscheinungsjahr
2018
Zeitschriftentitel
Frontiers in Psychology
Band
9
Art.-Nr.
1909
ISSN
1664-1078
eISSN
1664-1078
Finanzierungs-Informationen
Open-Access-Publikationskosten wurden durch die Deutsche Forschungsgemeinschaft und die Universität Bielefeld gefördert.
Page URI
https://pub.uni-bielefeld.de/record/2931850

Zitieren

Bläsing B, Sauzet O. My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays. Frontiers in Psychology. 2018;9: 1909.
Bläsing, B., & Sauzet, O. (2018). My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays. Frontiers in Psychology, 9, 1909. doi:10.3389/fpsyg.2018.01909
Bläsing, Bettina, and Sauzet, Odile. 2018. “My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays”. Frontiers in Psychology 9: 1909.
Bläsing, B., and Sauzet, O. (2018). My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays. Frontiers in Psychology 9:1909.
Bläsing, B., & Sauzet, O., 2018. My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays. Frontiers in Psychology, 9: 1909.
B. Bläsing and O. Sauzet, “My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays”, Frontiers in Psychology, vol. 9, 2018, : 1909.
Bläsing, B., Sauzet, O.: My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays. Frontiers in Psychology. 9, : 1909 (2018).
Bläsing, Bettina, and Sauzet, Odile. “My Action, My Self: Recognition of Self-Created but Visually Unfamiliar Dance-Like Actions From Point-Light Displays”. Frontiers in Psychology 9 (2018): 1909.
Alle Dateien verfügbar unter der/den folgenden Lizenz(en):
Creative Commons Namensnennung 4.0 International Public License (CC-BY 4.0):
Volltext(e)
Access Level
OA Open Access
Zuletzt Hochgeladen
2019-09-06T09:19:02Z
MD5 Prüfsumme
147efca503430dc2276a5c2258cd4d4d


60 References

Daten bereitgestellt von Europe PubMed Central.

Recognizing fencing attacks from auditory and visual information: a comparison between expert fencers and novices.
Allerdissen M., Güldenpenning I., Schack T., Bläsing B.., 2017
Emotion perception from dynamic and static body expressions in point-light and full-light displays.
Atkinson AP, Dittrich WH, Gemmell AJ, Young AW., Perception 33(6), 2004
PMID: 15330366
Intention in motor learning through observation.
Badets A, Blandin Y, Shea CH., Q J Exp Psychol (Hove) 59(2), 2006
PMID: 16618640
Grounded cognition.
Barsalou LW., Annu Rev Psychol 59(), 2008
PMID: 17705682
Perception of human motion.
Blake R, Shiffrar M., Annu Rev Psychol 58(), 2007
PMID: 16903802
Expert players accurately detect an opponent's movement intentions through sound alone.
Camponogara I, Rodger M, Craig C, Cesari P., J Exp Psychol Hum Percept Perform 43(2), 2016
PMID: 27831718
Nonvisual motor training influences biological motion perception.
Casile A, Giese MA., Curr. Biol. 16(1), 2006
PMID: 16401424
Recognizing friends by their walk: gait perception without familiarity cues.
Cutting J., Kozlowski L.., 1977
Action categories and the perception of biological motion.
Dittrich WH., Perception 22(1), 1993
PMID: 8474831
Perception of emotion from dynamic point-light displays represented in dance.
Dittrich WH, Troscianko T, Lea SE, Morgan D., Perception 25(6), 1996
PMID: 8888304
Action recognition is sensitive to the identity of the actor.
Ferstl Y, Bulthoff H, de la Rosa S., Cognition 166(), 2017
PMID: 28582683
Recognizing one's own clapping: the role of temporal cues.
Flach R, Knoblich G, Prinz W., Psychol Res 69(1-2), 2004
PMID: 15095091
Effects of mental imagery styles on shoulder and hip rotations during preparation of pirouettes.
Golomer E, Bouillette A, Mertz C, Keller J., J Mot Behav 40(4), 2008
PMID: 18628105
Dissecting the time course of person recognition in natural viewing environments.
Hahn CA, O'Toole AJ, Phillips PJ., Br J Psychol 107(1), 2015
PMID: 25752865
Multiple uses of mental imagery by professional modern dancers.
Hanrahan C., Vergeer I.., 2001
What is modelled during observational learning?
Hodges NJ, Williams AM, Hayes SJ, Breslin G., J Sports Sci 25(5), 2007
PMID: 17365540
The Theory of Event Coding (TEC): a framework for perception and action planning.
Hommel B, Musseler J, Aschersleben G, Prinz W., Behav Brain Sci 24(5), 2001
PMID: 12239891
Agency, simulation and self-identification.
Jeannerod M., Pacherie E.., 2004
Visual perception of biological motion and a model for its analysis.
Johansson G.., 1973
The perception of natural and modulated movement sounds.
Kennel C, Pizzera A, Hohmann T, Schubotz RI, Murgia M, Agostini T, Raab M., Perception 43(8), 2014
PMID: 25549509
“Creative cognition in choreography,”
Kirsh D.., 2011
Action identity: evidence from self-recognition, prediction, and coordination.
Knoblich G, Flach R., Conscious Cogn 12(4), 2003
PMID: 14656505
The social nature of perception and action.
Knoblich G., Sebanz N.., 2006
Recognizing the sex of a walker from a dynamic point-light display.
Kozlowski L., Cutting J.., 1977
Recognizing people from their movement.
Loula F, Prasad S, Harber K, Shiffrar M., J Exp Psychol Hum Percept Perform 31(1), 2005
PMID: 15709874
Self-recognition and other-recognition in point-light displays.
Mitchell R., Curry C.., 2016
Recognising one's own motor actions through sound: the role of temporal factors.
Murgia M, Hohmann T, Galmonte A, Raab M, Agostini T., Perception 41(8), 2012
PMID: 23362674
Modality and Perceptual-Motor Experience Influence the Detection of Temporal Deviations in Tap Dance Sequences.
Murgia M, Prpic V, O J, McCullagh P, Santoro I, Galmonte A, Agostini T., Front Psychol 8(), 2017
PMID: 28824516
Language-at all times.
Nomikou I., Schilling M., Heller V., Rohlfing K.., 2016
Where, when, and how: a quantitative account of dance imagery.
Nordin SM, Cumming J., Res Q Exerc Sport 78(4), 2007
PMID: 17941544
Gender recognition from point-light walkers.
Pollick FE, Kay JW, Heim K, Stringer R., J Exp Psychol Hum Percept Perform 31(6), 2005
PMID: 16366787
Perception and action planning.
Prinz W.., 1997
The role of the face and body in unfamiliar person identification.
Rice A., Phillips P., O’Toole A.., 2013
Perceiving action identity: how pianists recognize their own performances.
Repp BH, Knoblich G., Psychol Sci 15(9), 2004
PMID: 15327631
Brain networks underlying mental imagery of auditory and visual information.
Zvyagintsev M, Clemens B, Chechko N, Mathiak KA, Sack AT, Mathiak K., Eur. J. Neurosci. 37(9), 2013
PMID: 23383863
A schema theory of discrete motor skill learning.
Schmidt R.., 1975
Self and other in the human motor system.
Schutz-Bosbach S, Mancini B, Aglioti SM, Haggard P., Curr. Biol. 16(18), 2006
PMID: 16979561
Perceptual resonance: action-induced modulation of perception.
Schutz-Bosbach S, Prinz W., Trends Cogn. Sci. (Regul. Ed.) 11(8), 2007
PMID: 17629544
Joint action: bodies and minds moving together.
Sebanz N, Bekkering H, Knoblich G., Trends Cogn. Sci. (Regul. Ed.) 10(2), 2006
PMID: 16406326
Self-recognition in the perception of actions performed in synchrony with music.
Sevdalis V, Keller PE., Ann. N. Y. Acad. Sci. 1169(), 2009
PMID: 19673830
Know thy sound: perceiving self and others in musical contexts.
Sevdalis V, Keller PE., Acta Psychol (Amst) 152(), 2014
PMID: 25113128
Audio-based interventions in sport.
Sors F., Murgia M., Santoro I., Agostini T.., 2015
The contribution of early auditory and visual information to the discrimination of shot power in ball sports.
Sors F., Murgia M., Santoro I., Prpic V., Galmonte A., Agostini T.., 2017
“Biological motion: point-light walkers and beyond,”
Thornton I.., 2006
Person identification from biological motion: effects of structural and kinematic cues.
Troje NF, Westhoff C, Lavrov M., Percept Psychophys 67(4), 2005
PMID: 16134460
Cognitive costs of encoding novel natural activities: Can "learning by doing" be distracting and deceptive?
von Stulpnagel R, Schult JC, Richter C, Steffens MC., Q J Exp Psychol (Hove) 69(8), 2015
PMID: 26325343
Memory for five novel naturalistic activities: no memory recall advantage for enactment over observation or pictorial learning.
von R., Steffens M., Schult J.., 2016
The cognitive benefits of movement reduction: evidence from dance marking.
Warburton EC, Wilson M, Lynch M, Cuykendall S., Psychol Sci 24(9), 2013
PMID: 23863756
Directing attention to movement effects enhances learning: a review.
Wulf G, Prinz W., Psychon Bull Rev 8(4), 2001
PMID: 11848583
Recognizing People in Motion.
Yovel G, O'Toole AJ., Trends Cogn. Sci. (Regul. Ed.) 20(5), 2016
PMID: 27016844
Event perception: a mind-brain perspective.
Zacks JM, Speer NK, Swallow KM, Braver TS, Reynolds JR., Psychol Bull 133(2), 2007
PMID: 17338600
Export

Markieren/ Markierung löschen
Markierte Publikationen

Open Data PUB

Web of Science

Dieser Datensatz im Web of Science®
Quellen

PMID: 30459668
PubMed | Europe PMC

Suchen in

Google Scholar