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Abstract
In den Wandmalereien von Taddeo Gaddi in der Burgkapelle zu Poppi sieht die Forschung überwiegend ein Experiment für die kurz darauf, um 1328/30 entstandenen Fresken der Cappella Baroncelli zu Santa Croce in Florenz. Im Gegensatz dazu zeigt der vorliegende Beitrag, dass die Fresken zu Poppi eine künstlerische Auseinandersetzung mit zwei Florentiner Werken der 1330 Jahre darstellen und folglich zwischen 1335 und 1340 entstanden sein dürften: zum einen mit den Baptisteriumstüren von Andrea Pisano und zum andern mit den Fresken der Magdalenenkapelle im Bargello.
Translation of abstract (English)
We show that the frescoes in Poppi are inspired by the artistic discourse between two Florentine monuments of the 1330s i.e. the Baptistery doors by Andrea Pisano and the fresco cycle in the Chapel of the Bargello. This indicates that the Poppi frescos were executed around 1335/40. The results of the research presented here, however, support the opposite. We show that the frescoes in Poppi are fruit of an artistic discourse between two Florentine monuments of the 1330s i.e. the Baptistery doors by Andrea Pisano and the fresco cycle in the Chapel of the Bargello. This indicates that the Poppi frescos were executed around 1335/40.
| Document type: | Article |
|---|---|
| Date: | 2014 |
| Version: | Primary publication |
| Date Deposited: | 29 Jan 2014 09:27 |
| Faculties / Institutes: | Research Project, Working Group > Individuals |
| DDC-classification: | Painting |
| Controlled Keywords: | Gaddi, Tadeo, Poppi / Palazzo Pretorio, Freskomalerei |
| Subject (classification): | Artists, Architects Painting |
| Countries/Regions: | Italy |
| Paper series: | Series Volume |
