Cinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978)

Lade...
Vorschaubild
Dateien
Stock_0-347156.pdf
Stock_0-347156.pdfGröße: 783.04 KBDownloads: 1021
Datum
2016
Autor:innen
Herausgeber:innen
Kontakt
ISSN der Zeitschrift
Electronic ISSN
ISBN
Bibliografische Daten
Verlag
Schriftenreihe
Auflagebezeichnung
ArXiv-ID
Internationale Patentnummer
Angaben zur Forschungsförderung
Projekt
Open Access-Veröffentlichung
Open Access Green
Core Facility der Universität Konstanz
Gesperrt bis
Titel in einer weiteren Sprache
Forschungsvorhaben
Organisationseinheiten
Zeitschriftenheft
Publikationstyp
Beitrag zu einem Sammelband
Publikationsstatus
Published
Erschienen in
MARTINS, Adriana, ed., Alexandra LOPES, ed., Mónica DIAS, ed.. Mediations of Disruption in Post-Conflict Cinema. London: Palgrave Macmillan UK, 2016, pp. 75-91. ISBN 978-1-137-57519-7. Available under: doi: 10.1057/978-1-137-57520-3_5
Zusammenfassung

The essay analyses Estas são as armas (1978), the first full-length documentary produced by the Instituto Nacional de Cinema (INC) in Mozambique. In a first step, the text provides background information regarding film productions in and about Mozambique as well as its historical frame considering both the colonial and postcolonial period. Then, the essay discusses the interplay between voice and image with regard to documentary films. The contextualization and theoretical reflection is followed by an in-depth study of Estas são as armas. By scrutinizing the different ways of dealing with archival material it becomes possible to reflect upon filmic memory politics and their relation to a historical master narrative developed by Frelimo as well as to shed light on the cultural dimensions of decolonization.

Zusammenfassung in einer weiteren Sprache
Fachgebiet (DDC)
800 Literatur, Rhetorik, Literaturwissenschaft
Schlagwörter
Mozambique, documentary film, post-conflict cinema, decolonisation
Konferenz
Rezension
undefined / . - undefined, undefined
Zitieren
ISO 690STOCK, Robert, 2016. Cinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978). In: MARTINS, Adriana, ed., Alexandra LOPES, ed., Mónica DIAS, ed.. Mediations of Disruption in Post-Conflict Cinema. London: Palgrave Macmillan UK, 2016, pp. 75-91. ISBN 978-1-137-57519-7. Available under: doi: 10.1057/978-1-137-57520-3_5
BibTex
@incollection{Stock2016-06-11Cinem-34698,
  year={2016},
  doi={10.1057/978-1-137-57520-3_5},
  title={Cinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978)},
  isbn={978-1-137-57519-7},
  publisher={Palgrave Macmillan UK},
  address={London},
  booktitle={Mediations of Disruption in Post-Conflict Cinema},
  pages={75--91},
  editor={Martins, Adriana and Lopes, Alexandra and Dias, Mónica},
  author={Stock, Robert}
}
RDF
<rdf:RDF
    xmlns:dcterms="http://purl.org/dc/terms/"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:bibo="http://purl.org/ontology/bibo/"
    xmlns:dspace="http://digital-repositories.org/ontologies/dspace/0.1.0#"
    xmlns:foaf="http://xmlns.com/foaf/0.1/"
    xmlns:void="http://rdfs.org/ns/void#"
    xmlns:xsd="http://www.w3.org/2001/XMLSchema#" > 
  <rdf:Description rdf:about="https://kops.uni-konstanz.de/server/rdf/resource/123456789/34698">
    <void:sparqlEndpoint rdf:resource="http://localhost/fuseki/dspace/sparql"/>
    <dcterms:title>Cinema and Conflict in Postcolonial Mozambique : Archival Images as Illustration and Evidence in Estas São as Armas (1978)</dcterms:title>
    <dc:date rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2016-07-07T14:29:33Z</dc:date>
    <dcterms:available rdf:datatype="http://www.w3.org/2001/XMLSchema#dateTime">2016-07-07T14:29:33Z</dcterms:available>
    <dcterms:abstract xml:lang="eng">The essay analyses Estas são as armas (1978), the first full-length documentary produced by the Instituto Nacional de Cinema (INC) in Mozambique. In a first step, the text provides background information regarding film productions in and about Mozambique as well as its historical frame considering both the colonial and postcolonial period. Then, the essay discusses the interplay between voice and image with regard to documentary films. The contextualization and theoretical reflection is followed by an in-depth study of Estas são as armas. By scrutinizing the different ways of dealing with archival material it becomes possible to reflect upon filmic memory politics and their relation to a historical master narrative developed by Frelimo as well as to shed light on the cultural dimensions of decolonization.</dcterms:abstract>
    <dc:rights>terms-of-use</dc:rights>
    <dc:language>eng</dc:language>
    <dspace:isPartOfCollection rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dcterms:hasPart rdf:resource="https://kops.uni-konstanz.de/bitstream/123456789/34698/3/Stock_0-347156.pdf"/>
    <dcterms:isPartOf rdf:resource="https://kops.uni-konstanz.de/server/rdf/resource/123456789/38"/>
    <dcterms:issued>2016-06-11</dcterms:issued>
    <foaf:homepage rdf:resource="http://localhost:8080/"/>
    <bibo:uri rdf:resource="https://kops.uni-konstanz.de/handle/123456789/34698"/>
    <dc:contributor>Stock, Robert</dc:contributor>
    <dspace:hasBitstream rdf:resource="https://kops.uni-konstanz.de/bitstream/123456789/34698/3/Stock_0-347156.pdf"/>
    <dcterms:rights rdf:resource="https://rightsstatements.org/page/InC/1.0/"/>
    <dc:creator>Stock, Robert</dc:creator>
  </rdf:Description>
</rdf:RDF>
Interner Vermerk
xmlui.Submission.submit.DescribeStep.inputForms.label.kops_note_fromSubmitter
Kontakt
URL der Originalveröffentl.
Prüfdatum der URL
Prüfungsdatum der Dissertation
Finanzierungsart
Kommentar zur Publikation
Allianzlizenz
Corresponding Authors der Uni Konstanz vorhanden
Internationale Co-Autor:innen
Universitätsbibliographie
Ja
Begutachtet
Diese Publikation teilen